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The limitations of these two models can be overcome, it is suggested, by turning to the complexity model, which builds on contemporary feminist, intersectionality and queer theory. The thesis is based on the following four articles:. Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Samhällsvetenskapliga fakulteten, Sociologiska institutionen. Male rap artists in Sweden negotiating class, race and gender analyzes how class, race, gender, and to some extent sexuality, intersect in rap lyrics by male artists. By focusing on poststructuralist feminist and feminist phenomenological accounts of subjectivity, this article seeks to contribute to the emerging body of work that brings such theories into critical studies on men. Berggren discusses how critical studies on men could benefit from engaging with contemporary post-structuralist feminist theory and feminist phenomenological accounts of subjectivity.

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Berggren discusses how critical studies on men could benefit from engaging with contemporary post-structuralist feminist theory and feminist phenomenological accounts of subjectivity.

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Straight inoculations and the queering of masculinity in Swedish hip hop explores the boundary work performed by male artists regarding sexuality categories. The limitations of these two models can be overcome, it is suggested, by turning to the complexity model, which builds on contemporary feminist, intersectionality and queer theory. Four models are identified. My argument proceeds through a reading of John Stoltenberg as a poststructuralist feminist, and a reading of Victor Seidler as a feminist phenomenologist. In particular, it analyzes how heterosexuality is sustained, given the affection expressed among male peers. It is shown how the masculine norms of the genre are simultaneously resisted and resignified as many female rappers incorporate some elements commonly associated with masculinity but mobilize them in their challenging of masculine norms.

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